Archive for April, 2007

PUBLISHING TERMS YOU SHOULD KNOW –

Monday, April 23rd, 2007

PUBLISHING TERMS YOU SHOULD KNOW – (An excerpt from “Author 101: Bestselling Nonfiction” by Rick Frishman and Robyn Freedman Spizman)Publishing industry personnel tend to speak in shorthand that they assume everyone understands, which is not always the case. When they talk about books and publishing, they can completely lose you. For example, publishing people constantly refer to “trade books”, which can leave industry outsiders scratching their heads.

Unless you ask for clarification, important information about your proposal or book deal can sail completely over your head. Familiarize yourself with the following lingo so when you chat with agents or publishing personnel, you can understand what they’re saying and be sure that you’re both on the same page.

Common Publishing Terms:

Acquisition Editor

- An editor at a publishing company who has the responsibility to obtain and screen manuscripts that the house may wish to publish.

American Booksellers Association (ABA)

- The major industry association for U.S. booksellers. Its annual trade show, BookExpo, is where people in the industry display and learn about new publications and producers.

Boilerplate

- Standard contractual clauses or language. Generally, they are subject to negotiation and change.

Book Clubs

- Groups that sell and send designated books to their members at regular intervals and at reduced prices.

Copyediting

- Review of manuscripts for errors in spelling, grammar, punctuation, syntax and meaning. Copyediting is a part of the publishing process that is usually done by professional editors at the publisher’s expense.

Evaluation Fees

- The charges made by agents to read and critique writers’ book proposals, manuscripts and other materials.

First Serialization

- The publication of selected portions of a book in periodicals prior to the book’s publication.

Genre

- The general classification of a book such as business, parenting, writing, etc. The genre is usually indicated at the top of the back cover.

Hardcover

- Books bound in a stiff, protective cover that usually resists bending.

ISBN

- The International Standard Book Number (ISBN) is a ten-digit number that identifies each title and publisher. It’s use for ordering and inventory purposes.

Jacket

- The removable covering placed on most hardbound books that contains promotional material on the book. Also called the dust jacket.

Lead Sentence/Paragraph

- The first sentence or paragraph in a piece of writing.

Overview

- The opening section of a book proposal that describes the book and its market. Also called the introduction, summary, synopsis and vision.

Packagers

- Those who bring the concept for book projects to publishers and then supervise the creation of the products that the publishers release. They frequently work with writers, designers and others to bring their projects together.

Returns

- Books that haven’t sold and are returned to the publisher. It’s standard practice in the book-publishing industry to allow retailers and wholesalers to return books that haven’t sold.

Self-Published

- The term for a book that an author publishes him- or herself and not through a traditional publishing company. Typically, the authors handle, or hire other s to handle, all writing, editing, design, printing and distribution themselves.

Trade Books

- Books sold through traditional channels to bookstores and book clubs.

Vanity Publishing

- The process in which an author pays a company to publish his or her manuscript. Some vanity publishers also provide editing, design and distribution services.

 

 

http://www.amazon.com/Author-101-Bestselling-Nonfiction-Insiders/dp/1593375255/ref=sr_1_5/103-5960034-4140622?ie=UTF8&s=books&qid=1177363212&sr=8-5

or go to http://www.author101.com to get all 4 books!

 

 

Podcast on Mega Book New York

Tuesday, April 17th, 2007

If you are an author or want to be one you should go to BOOK EXPO AMERICA

on June 1,2 and 3 in NYC http://www.bookexpoamerica.com

and think about coming to MEGA BOOK NEW YORK on May 31

http://www.megabookny.com

 

icon for podpress  Mega Book New York [4:12m]: Play Now | Play in Popup | Download

The Agenting Process Explained - Part 4 - Proposals

Monday, April 9th, 2007

 

The Agenting Process Explained - Part 4 - Proposals

If a query piques an agent’s interest, he or she will usually ask the writer to submit a written proposal. They may also contact the writer to ask questions and find out more about the project, or even ask for the entire manuscript, if it’s already written. Frequently, the requirements for proposal submissions are posted on agents’ Web sites. Some have templates or provide their clients with examples that they want. Most just give general guidelines. If the agent’s site doesn’t provide sufficient information, you can easily find what you need in a number of books including: Author 101: Bestselling Book Proposals (Adams Media, 2005), How to Write a Book Proposal, by Michael Larsen (Writer’s Digest Books, 2004) and The Art of the Book Proposal: From Focused Idea to Finished Proposal, by Eric Maisel, Ph.D. (Jeremy P. Tarcher/Penguin, 2004).

 

Agents tell us that they seldom receive proposals that don’t need help. But agents differ sharply regarding the help they provide. Some agents are editorially intensive; they do hands-on editing and work closely with writers to reshape their proposals until they get them just right. These agents believe that the quality of the proposal reflects upon them, so they work hard to submit only the best proposals to publishers. Other agents will make minor edits to a proposal or suggest structural changes that writers should make. However, they won’t do extensive editing or rewriting. If a proposal requires more than minor work, the most they will do is tell the writer what it needs.

 

Frequently, writers can’t make the necessary changes. Even the best writers need editors because it’s so difficult for them to objectively analyze their own work. So they need professional writers or editors to fix their proposals. In these situations, some agents will give writers names or recommendations to writing professionals, while others will not. In fact, many agents will not edit, rewrite, critique, or even tell writers why they rejected their proposals. A number of the agents we interviewed had editorial and publishing backgrounds and regretted that the demands on their time made it impossible for them to be more editorially involved.

 

An excerpt from the National Bestseller Author 101: Bestelling Secrets from Top Agents by Rick Frishman and Robyn Freedman Spizman with Mark Steisel


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